derived from unearthly or political preconceived opinion (503) (he is evidently thinking here of what the impertinent Critic save c everys the moralistic approach to literary criticism practised by the Humanists and the Marxists alike); C literary criticism that focuses on the impact of literature on the reader (503); and C literary criticism that focuses on the author as the source of the literary take a shit. He dismisses in this regard all [s]entimental judgments (503) that are based either on non-existent categories or antitheses (Shakespeare analyze life, Milton books) or on a visceral reaction to the authors personality (503) Evidently, Frye shares much in these three respects with the New Critics and their opposition to moralistic, affective and wise(p) approaches to criticism. In place of moralistic, reader-oriented, and author-oriented critical approaches, Frye advocates a rhetorical or morphologic analysis of a work of art (503),...If you penury to take up a full essay, read it on our website: Orderessay
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